{"id":10814,"date":"2018-03-19T08:55:17","date_gmt":"2018-03-19T07:55:17","guid":{"rendered":"https:\/\/henningbochert.de\/en\/?p=10814"},"modified":"2023-01-29T14:37:48","modified_gmt":"2023-01-29T13:37:48","slug":"eurodram-2018-honours","status":"publish","type":"post","link":"https:\/\/henningbochert.de\/en\/2018\/03\/eurodram-2018-honours\/","title":{"rendered":"EURODRAM 2018 Honours"},"content":{"rendered":"<p><strong><a href=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2016\/05\/eurodram-300x176.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10001\" src=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2016\/05\/eurodram-300x176.jpg\" alt=\"\" width=\"300\" height=\"176\" \/><\/a>Eurodram \u2013 European network for drama in translation<\/strong><br \/>\n<strong>2018 Honours \u2013 Selection of original texts<br \/>\n<\/strong><\/p>\n<p>Eurodram, the European network for drama in translation, is delighted to announce its 2018 selection of plays recommended for translation. These have been chosen by 282 members of 27 language committees, out of the 746 original plays received in 2017. As a point of interest, the highest number of texts were received in French, German and Serbo-Croatian. More details will be available online shortly.<\/p>\n<h3> \u0627\u0644\u0639\u064e\u0631\u064e\u0628\u064a\u0651\u0629 \/ \u0410\u0440\u0430\u0431\u0441\u043a\u0438\u0439 \/ Arabic [11]<\/h3>\n<p>\u2605 \u0639\u0634\u0631\u0629 \u0645\u0634\u0627\u0647\u062f \u0644\u064a\u0633\u062a \u0639\u0646\u064a\u0641\u0629 (Ten scenes not too violent \/ \u0414\u0435\u0441\u044f\u0442\u044c \u0441\u0446\u0435\u043d, \u043d\u0435 \u0441\u0430\u043c\u044b\u0445 \u043d\u0430\u0441\u0438\u043b\u044c\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445) # Omar Al-Jibaii \/ \u041e\u043c\u0430\u0440 \u0410\u043b\u044c-\u0414\u0436\u0438\u0431\u0430\u0438<br \/>\n\u2605 \u0639\u0634\u0627 \u0627\u0644\u0639\u0645\u064a\u0627\u0646 (Blind dinner \/ \u0423\u0436\u0438\u043d \u0432\u0441\u043b\u0435\u043f\u0443\u044e) # Anouar Abdul Moughith \/ \u0410\u043d\u0443\u0430\u0440 \u0410\u0431\u0434\u0443\u043b \u041c\u0443\u0433\u0438\u0442<br \/>\n\u2605 \u0642\u0644\u0639\u0629 \u0645\u0644\u062d (Salt Castle \/ \u0417\u0430\u043c\u043e\u043a \u0438\u0437 \u0441\u043e\u043b\u0438) # Anna Akkash \/ \u0410\u043d\u043d\u0430 \u0410\u043a\u043a\u0430\u0448<!--more--><\/p>\n<h3>\u0540\u0561\u0575\u0561\u057d\u057f\u0561\u0576\u0575\u0561\u0576 \/ \u0410\u0440\u043c\u044f\u043d\u0441\u043a\u0438\u0439 \/ Armenian [5]<\/h3>\n<p>\u2605 \u053e\u0561\u057c\u056b \u057e\u0565\u0580\u057b\u0568 (The End of the Tree \/ \u041a\u043e\u043d\u0435\u0446 \u0434\u0435\u0440\u0435\u0432\u0430) # \u0531\u0580\u0574\u0565\u0576 \u0540\u0561\u0575\u0561\u057d\u057f\u0561\u0576\u0581\u056b \/ Armen Hayastantsi \/ \u0410\u0440\u043c\u0435\u043d \u0410\u0439\u0430\u0441\u0442\u0430\u043d\u0446\u0438<\/p>\n<h3>\u0411\u0435\u043b\u043e\u0440\u0443\u0441\u0441\u043a\u0438\u0439 \/ Belarussian [11]<\/h3>\n<p>\u2605 \u0421\u043a\u0443\u0440\u0430 (Skin \/ \u0428\u043a\u0443\u0440\u0430) # \u0410\u043b\u0451\u043d\u0430 I\u0432\u0430\u043d\u044e\u0448\u0430\u043d\u043a\u0430 \/ Aliona Ivaniushanka<br \/>\n\u2605 \u041e\u043di\u043a\u0441 (Onyx \/ \u041e\u043d\u0438\u043a\u0441) # \u041c\u0430\u043a\u0441i\u043c \u0414\u043e\u0441\u044c\u043a\u0430 \/ Maksim Dosko<br \/>\n\u2605 \u0421\u044d\u043a\u0441 \u043c\u043d\u0435 \u043d\u0435 \u043f\u0430\u0442\u0440\u044d\u0431\u0435\u043d (I don\u2019t need sex \/ \u0421\u0435\u043a\u0441 \u043c\u043d\u0435 \u043d\u0435 \u043d\u0443\u0436\u0435\u043d \u041b\u0451\u0445\u0430 \u0427\u0438\u043a\u0430\u043d\u043e\u0441) # \u041b\u0451\u0445\u0430 \u0427\u044b\u043a\u0430\u043d\u0430\u0441 \/ Liokha Chykanas<\/p>\n<h3>Bosanski, hrvatski, crnogorski, srpski \/ \u0411\u043e\u0441\u043d\u0438\u0439\u0441\u043a\u0438\u0439, \u0425\u043e\u0440\u0432\u0430\u0442\u0441\u043a\u0438\u0439, \u0427\u0435\u0440\u043d\u043e\u0433\u043e\u0440\u0441\u043a\u0438\u0439, \u0421\u0435\u0440\u0431\u0441\u043a\u0438\u0439 [94]<\/h3>\n<p>\u2605 Stela, poplava \/ \u0421\u0442\u0435\u043b\u0430, \u043f\u043e\u043f\u043b\u0430\u0432\u0430 (Stela, the Flood \/ C\u0442\u0435\u043b\u0430, \u043d\u0430\u0432\u043e\u0434\u043d\u0435\u043d\u0438\u0435) # Dino Pe\u0161ut \/ \u0414\u0438\u043d\u043e \u041f\u0435\u0448\u0443\u0442<br \/>\n\u2605 Re\u017eim ljubavi \/ \u0420\u0435\u0436\u0438\u043c \u0459\u0443\u0431\u0430\u0432\u0438 (The Regime of Love \/ P\u0435\u0436\u0438\u043c \u043b\u044e\u0431\u0432\u0438) # Tanja \u0160ljivar \/ \u0422\u0430\u043d\u044f \u0428\u043b\u0438\u0432\u0430\u0440<br \/>\n\u2605 Bijeli bubrezi \/ \u0411\u0438\u0458\u0435\u043b\u0438 \u0431\u0443\u0431\u0440\u0435\u0437\u0438 (Rocky Mountain Oysters \/ \u0411\u044b\u0447\u044c\u0438 \u044f\u0439\u0446\u0430) # Vedrana Klepica \/ \u0412\u0435\u0434\u0440\u0430\u043d\u0430 \u041a\u043b\u0435\u043f\u0438\u0446\u0430<\/p>\n<h3>\u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \/ Bulgarian [31]<\/h3>\n<p>\u2605 \u0426\u0438\u043a\u0430\u0434\u0438\u0442\u0435 (The Cicadas \/ \u0426\u0438\u043a\u0430\u0434\u044b) # \u041c\u0438\u0440\u043e\u0441\u043b\u0430\u0432 \u0425\u0440\u0438\u0441\u0442\u043e\u0432 \/ Miroslav Christov<br \/>\n\u2605 \u0420\u043e\u043a\u0445\u0438\u043b (Rockhill \/ \u0420\u043e\u043a\u0445\u0438\u043b) # \u041a\u0430\u0442\u044f \u041a\u0430\u0440\u0430\u0438\u0432\u0430\u043d\u043e\u0432\u0430 \/ Katya Karaivanova<br \/>\n\u2605 \u041d\u0430 \u0442\u044a\u043c\u043d\u043e (In the dark \/ \u0412 \u043f\u043e\u0442\u0435\u043c\u043a\u0430\u0445) # \u0421\u0430\u0431\u0438\u043d\u0430 \u0421\u0442\u0435\u0444\u0430\u043d\u043e\u0432\u0430 \/ Sabina Stefanova<\/p>\n<h3>Deutsch \/ \u041d\u0435\u043c\u0435\u0446\u043a\u0438\u0439 \/ German [97]<\/h3>\n<p>\u2605 Der freie Fall (Free Fall \/ \u0421\u0432\u043e\u0431\u043e\u0434\u043d\u043e\u0435 \u043f\u0430\u0434\u0435\u043d\u0438\u0435) # Raoul Biltgen \/ \u0420\u0430\u0443\u043b\u044c \u0411\u0438\u043b\u044c\u0442\u0433\u0435\u043d<br \/>\n\u2605 Das Recht des St\u00e4rkeren (Law of the Jungle \/ \u0417\u0430\u043a\u043e\u043d \u0414\u0436\u0443\u043d\u0433\u043b\u0435\u0439) # Dominik Busch \/ \u0414\u043e\u043c\u0438\u043d\u0438\u043a \u0411\u0443\u0448<br \/>\n\u2605 Ein K\u00f6rper f\u00fcr jetzt und heute (A Body for the Here and Now \/ \u041e\u0434\u043d\u043e \u0442\u0435\u043b\u043e, \u0437\u0434\u0435\u0441\u044c \u0438 \u0441\u0435\u0439\u0447\u0430\u0441) # Mehdi Moradpour \/ \u041c\u044dx\u0434\u0438 \u041c\u0443\u0440\u0430\u0434\u043f\u0443\u0440<\/p>\n<h3>\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac \/ \u0413\u0440\u0435\u0447\u0435\u0441\u043a\u0438\u0439 \/ Greek [55]<\/h3>\n<p>\u2605 \u03a4\u03bf \u03c3\u03c0\u03af\u03c4\u03b9 \u03c4\u03bf\u03c5 \u039b\u03b7\u03c3\u03c4\u03ae \u03ae \u03bf\u03b9 \u0394\u03c1\u03ac\u03ba\u03bf\u03b9 \u03bc\u03b5 \u03c4\u03b9\u03c2 \u03bc\u03b1\u03ba\u03c1\u03b9\u03ad\u03c2 \u03bf\u03c5\u03c1\u03ad\u03c2 (The \u0397ouse of the Thief or The Dragons with the Long Tails \/ \u0414\u043e\u043c \u0432\u043e\u0440\u0430 \u0438\u043b\u0438 \u0434\u0440\u0430\u043a\u043e\u043d\u044b \u0441 \u0434\u043b\u0438\u043d\u043d\u044b\u043c\u0438 \u0445\u0432\u043e\u0441\u0442\u0430\u043c\u0438) # \u0394\u03ad\u03b4\u03b5 \u0398\u03b5\u03ce\u03bd\u03b7 \/ Dede Theoni<br \/>\n\u2605 \u039f \u03bc\u03c0\u03ad\u03bc\u03c0\u03b7\u03c2 (Baby boy \/ \u041c\u0430\u043b\u044b\u0448) # \u03a3\u03c9\u03c4\u03b7\u03c1\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5 \u0392\u03af\u03bb\u03b7 \/ Sotiropoulou Vily<br \/>\n\u2605 \u039e\u03b5\u03bd\u03af\u03c4\u03b7\u03c2, \u039a\u03bf\u03c1\u03c6\u03bf\u03cd\u03bb\u03b1 \u03bc\u03bf\u03c5 \u03b1\u03c1\u03b3\u03b1\u03b4\u03b7\u03bd\u03ae (Xenitis my Corfu Girl \/ \u041a\u0441\u0435\u043d\u0438\u044f, \u043c\u043e\u044f \u0434\u0435\u0432\u0443\u0448\u043a\u0430 \u0441 \u043e\u0441\u0442\u0440\u043e\u0432\u0430 \u041a\u043e\u0440\u0444\u0443) # \u03a1\u03ac\u03c0\u03c4\u03b7 \u0392\u03b1\u03c3\u03b9\u03bb\u03b9\u03ba\u03ae \/ Rapti Vassiliki<\/p>\n<h3>English \/ \u0410\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438\u0439 [45]<\/h3>\n<p>\u2605 Love, Lies and Taxidermy (\u041b\u044e\u0431\u043e\u0432\u044c, \u043b\u043e\u0436\u044c \u0438 \u0422\u0430\u043a\u0441\u0438\u0434\u0435\u0440\u043c\u0438\u044f) # Alan Harris \/ A\u043ba\u043d \u0425ap\u0440\u0438\u0441<br \/>\n\u2605 Too Long the Heart (\u0421\u043b\u0438\u0448\u043a\u043e\u043c \u0434\u043b\u0438\u043d\u043d\u043e\u0435 \u0441\u0435\u0440\u0434\u0446\u0435) # by David Hutchison \/ \u0414\u044d\u0432\u0438\u0434 X\u0430\u0447\u0438co\u043d<br \/>\n\u2605 The Trap (\u043b\u043e\u0432\u0443\u0448\u043a\u0430) # Kieran Lynn \/ K\u0438pa\u043d \u041b\u0438\u043d<\/p>\n<h3>Espa\u00f1ol \/ \u0418\u0441\u043f\u0430\u043d\u0441\u043a\u0438\u0439 \/ Spanish [68]<\/h3>\n<p>\u2605 Mi perra (My Bitch \/ \u041c\u043e\u044f \u0441\u0443\u043a\u0430) # Sergio Martinez Vila \/ \u0421\u0435\u0440\u0445\u0438\u043e \u041c\u0430\u0440\u0442\u0438\u043d\u0435\u0441 \u0412\u0438\u043b\u0430<br \/>\n\u2605 No hay papel (No paper \/ \u041d\u0435\u0442 \u0431\u0443\u043c\u0430\u0433\u0438) # Beatrice Bergamin \/ \u0411\u0435\u0430\u0442\u0440\u0438\u0441 \u0411\u0435\u0440\u0433\u0430\u043c\u0438\u043d<br \/>\n\u2605 Lo que nunca fuimos (What we never were \/ \u041a\u0435\u043c \u043c\u044b \u043d\u0438\u043a\u043e\u0433\u0434\u0430 \u043d\u0435 \u0431\u044b\u043b\u0438) # Luis Lopez de Arriba \/ \u041b\u0443\u0438\u0441 \u041b\u043e\u043f\u0435\u0441 \u0434\u0435 \u0410\u0440\u0440\u0438\u0431\u0430<\/p>\n<h3>Fran\u00e7ais \/ \u0424\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0439 \/ French [98]<\/h3>\n<p>\u2605 Amir avant (Amir before \/ \u0410\u043c\u0438\u0440 \u0434\u043e) # Aurianne Ab\u00e9cassis \/ \u041e\u0440\u0438\u044f\u043d \u0410\u0431\u0435\u043a\u0430\u0441\u0438\u0441<br \/>\n\u2605 Delta Charlie Delta (Delta Charly Delta \/ \u0414\u0435\u043b\u044c\u0442\u0430 \u0427\u0430\u0440\u043b\u0438 \u0414\u0435\u043b\u044c\u0442\u0430) # Michel Simonot \/ \u041c\u0438\u0448\u0435\u043b\u044c \u0421\u0438\u043c\u043e\u043d\u043e<br \/>\n\u2605 L&#8217;Accident de Bertrand (Bertrand\u2019s accident \/ \u0410\u0432\u0430\u0440\u0438\u044f \u0411\u0435\u0440\u0442\u0440\u0430\u043d\u0430) # Emilie Leconte \/ \u042d\u043c\u0438\u043b\u0438 \u041b\u0435\u043a\u043e\u043d\u0442<br \/>\n\u2605 Pig Boy 2016-2358 # Gwendoline Soulin \/ \u0413\u0443\u044d\u043d\u0434\u043e\u043b\u0438\u043d \u0421\u0443\u043b\u0435\u043d<\/p>\n<h3>\u05e2\u05b4\u05d1\u05b0\u05e8\u05b4\u05d9\u05ea \/ \u0418\u0432\u0440\u0438\u0442 \/ Hebrew [50]<\/h3>\n<p>\u2605 \u05d0\u05d5\u05de\u05e8\u05d9\u05dd \u05e9\u05d4\u05d9\u05d0 \u05ea\u05ea\u05d7\u05d9\u05dc \u05d1\u05d9\u05d5\u05dc\u05d9 (They say she will start in July \/ \u0413\u043e\u0432\u043e\u0440\u044f\u0442, \u0447\u0442\u043e \u043e\u043d\u0430 \u043d\u0430\u0447\u043d\u0435\u0442\u0441\u044f \u0432 \u0438\u044e\u043b\u0435) # \u05d3\u05e0\u05d9\u05d0\u05dc \u05db\u05d4\u05df \u05dc\u05d5\u05d9 \/ Danielle Cohen Levy \/ \u0414\u0430\u043d\u0438\u044d\u043b\u044c \u041a\u043e\u044d\u043d \u041b\u0435\u0432\u0438<br \/>\n\u2605 \u05d0\u05de\u05d4\u05d5\u05ea \u05e9\u05dc\u05d5\u05e9 (Mothers three \/ \u041c\u0430\u0442\u0435\u0440\u0438, \u0442\u0440\u0438) # \u05dc\u05d4\u05d1 \u05ea\u05d9\u05de\u05d5\u05e8 \/ Lahav Timor \/ \u041b\u0430\u0445\u0430\u0432 \u0422\u0438\u043c\u043e\u0440<br \/>\n\u2605 \u05e0\u05d5\u05e8\u05d0 \u05d0\u05e0\u05d5\u05e9\u05d9 (Horribly human \/ \u0423\u0436\u0430\u0441\u043d\u043e \u0447\u0435\u043b\u043e\u0432\u0435\u0447\u0435\u0441\u043a\u0438\u0439) # \u05d2\u05d9\u05dc\u05e2\u05d3 \u05e2\u05d1\u05e8\u05d5\u05df \/ Gilad Evron \/ \u0413\u0438\u043b\u0430\u0434 \u042d\u0432\u0440\u043e\u043d<\/p>\n<h3>Italiano \/ \u0418\u0442\u0430\u043b\u044c\u044f\u043d\u0441\u043a\u0438\u0439 \/ Italian [33]<\/h3>\n<p>\u2605 Acqua di Colonia (Eau de Cologne \/ \u041e\u0434\u0435\u043a\u043e\u043b\u043e\u043d) # Elvira Frosini &amp; Daniele Timpano \/ \u042d\u043b\u044c\u0432\u0438\u0440\u0430 \u0424\u0440\u043e\u0437\u0438\u043d\u0438 &amp; \u0414\u0430\u043d\u0438\u044d\u043b\u0435 \u0422\u0438\u043c\u043f\u0430\u043d\u043e<br \/>\n\u2605 La citt\u00e0 che sale (The Standing city \/ \u0412\u043e\u0441\u0441\u0442\u0430\u0432\u0448\u0438\u0439 \u0433\u043e\u0440\u043e\u0434\u200b) # Chiara Boscaro &amp; Marco Di Stefano \/ \u041a\u044c\u044f\u0440\u0430 \u0411\u043e\u0441\u043a\u0430\u0440\u043e &amp; \u041c\u0430\u0440\u043a\u043e \u0414\u0438 \u0421\u0442\u0435\u0444\u0430\u043d\u043e<br \/>\n\u2605 Essere bugiardo (Being a liar \/ \u0411\u044b\u0442\u044c \u043b\u0436\u0435\u0446\u043e\u043c) # Carlo Guasconi \/ \u041a\u0430\u0440\u043b\u043e \u0413\u0443\u0430\u0441\u043a\u043e\u043d\u0438<\/p>\n<h3>Magyar \/ B\u0435\u043d\u0433\u0435\u0440\u0441\u043a\u0438\u0439 \/ Hungarian [78]<\/h3>\n<p>\u2605 Titkaink (Our Secrets \/ \u041d\u0430\u0448\u0438 \u0441\u0435\u043a\u0440\u0435\u0442\u044b) # B\u00e9la Pint\u00e9r \/ \u0411\u0435\u043b\u0430 \u041f\u0438\u043d\u0442\u0435\u0440<br \/>\n\u2605 Napraforg\u00f3 (Sunflower \/ \u041f\u043e\u0434\u0441\u043e\u043b\u043d\u0443\u0445) # Andrea Pass \/ \u0410\u043d\u0434\u0440\u0435\u0430 \u041f\u0430\u0448<br \/>\n\u2605 Hideg szelek \/ Eiswind (Cold Wind \/ \u0425\u043e\u043b\u043e\u0434\u043d\u044b\u0439 \u0432\u0435\u0442\u0435\u0440) # \u00c1rp\u00e1d Schilling &amp; \u00c9va Zabezsinszkij \/ \u0410\u0440\u043f\u0430\u0434 \u0428\u0438\u043b\u043b\u0438\u043d\u0433 &amp; \u0415\u0432\u0430 \u0417\u0430\u0431\u0435\u0436\u0438\u043d\u0441\u043a\u0438\u0439<\/p>\n<h3>Portugu\u00eas \/ \u041f\u043e\u0440\u0442\u0443\u0433\u0430\u043b\u044c\u0441\u043a\u0438\u0439 \/ Portuguese [50]<\/h3>\n<p>\u2605 Max e Ren\u00e9 (Max and Ren\u00e9 \/ \u041c\u0430\u043a\u0441 \u0438 \u0420\u0435\u043d\u0435) # Jos\u00e9 Maria Vieira Mendes \/ \u0416\u043e\u0437\u0435 \u041c\u0430\u0440\u0438\u044f \u0412\u0438\u0435\u0439\u0440\u0430 \u041c\u0435\u043d\u0434\u0435\u0448<br \/>\n\u2605 Olhando o c\u00e9u estou em todos os s\u00e9culos (When I look up to the sky I am present in all centuries \/ \u0413\u043b\u044f\u0434\u044f \u043d\u0430 \u043d\u0435\u0431\u043e, \u044f \u043d\u0430 \u0432\u0441\u0435 \u0441\u0442\u043e\u043b\u0435\u0442\u0438\u044f) # Abel Neves \/ \u0410\u0431\u0435\u043b \u041d\u0435\u0432\u0435\u0448<br \/>\n\u2605 Cinderela (Cinderella \/ \u0417\u043e\u043b\u0443\u0448\u043a\u0430) # L\u00edgia Soares \/ \u041b\u0438\u0433\u0438\u044f \u0421\u0443\u0430\u0440\u0435\u0448<\/p>\n<h3>\u0420\u0443\u0441\u0441\u043a\u0438\u0439 \/ Russian [13]<\/h3>\n<p>\u2605 Dummerchen # \u0413a\u043b a \u0423\u0437\u0440\u044e\u0442o\u0432a \/ Gala Uzriutova<br \/>\n\u2605 \u0421\u043a\u0440\u0438\u043f\u043a\u0430 (The Violin) # \u0418\u043b\u044c\u044f \u0427\u043ba\u043a\u0438 \/ Ilya Chlaki<br \/>\n\u2605 \u0415\u0432\u0430 (Eve) # \u0413\u0438\u044f \u0410\u043ba\u0432\u0438\u0434\u0437e \/ Giya Alavidze<\/p>\n<h3>Shqip \/ \u0410\u043b\u0431\u0430\u043d\u0441\u043a\u0438\u0439 \/ Albanian [7]<\/h3>\n<p>\u2605 Citycide # Eli Krasniqi \/ \u042d\u043b\u0438 \u041a\u0440ac\u043d\u0438\u0447\u0438<br \/>\n\u2605 Liriologjia (Freedomology \/ \u0421\u0432\u043e\u0431\u043e\u0434\u043e\u043b\u043e\u0433\u0438\u044f) # Lirak \u00c7elaj \/ \u041b\u0438pa\u043a \u0427\u044d\u043ba\u0439<br \/>\n\u2605 Nj\u00eb teat\u00ebr n\u00eb k\u00ebrkim t\u00eb publikut (A theater in search of an audience \/ \u0422\u0435\u0430\u0442\u0440 \u0432 \u043f\u043e\u0438\u0441\u043a\u0430\u0445 \u043f\u0443\u0431\u043b\u0438\u043a\u0438) # Ridvan Dibra \/ R\u0438\u0434\u0432a\u043d \u0414\u0438\u0431pa<\/p>\n<h3>\u0423\u043a\u0440\u0430\u0438\u043d\u0441\u043a\u0438\u0439 \/ Ukrainian<\/h3>\n<p>\u2605 \u041f\u0456\u0434 \u043f\u0440\u0438\u0446\u0456\u043b\u043e\u043c \u0442\u0438\u0448\u0456 (Under the sight of silence \/ \u041f\u043e\u0434 \u043f\u0440\u0438\u0446\u0435\u043b\u043e\u043c \u0442\u0438\u0448\u0438\u043d\u044b) # \u041e\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u0412\u0456\u0442\u0435\u0440 \/ Oleksandr Viter<br \/>\n\u2605 \u0427\u0430\u0441 \u043f\u0456\u043b\u0430\u0442\u0435\u0441\u0443 (Time for pilates \/ \u0412\u0440\u0435\u043c\u044f \u043f\u0438\u043b\u0430\u0442\u0435\u0441\u0430) # \u041e\u043b\u044c\u0433\u0430 \u041c\u0430\u0446\u044e\u043f\u0430 \/ Olga Maciupa<br \/>\n\u2605 \u0417\u043d\u0456\u043c\u0456\u0442\u044c \u0437 \u043d\u0435\u0431\u0435\u0441 \u043e\u0444\u0456\u0446\u0456\u0430\u043d\u0442\u0430 (Take the waiter from the heavens \/ \u0421\u043d\u0438\u043c\u0438\u0442\u0435 \u0441 \u043d\u0435\u0431\u0435\u0441 \u043e\u0444\u0438\u0446\u0438\u0430\u043d\u0442\u0430) # \u041e\u043b\u0435\u0433 \u041c\u0438\u043a\u043e\u043b\u0430\u0439\u0447\u0443\u043a-\u041d\u0438\u0437\u043e\u0432\u0435\u0446\u044c \/ Oleh Mykolaichuk-Nyzovets<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eurodram \u2013 European network for drama in translation 2018 Honours \u2013 Selection of original texts Eurodram, the European network for drama in translation, is delighted to announce its 2018 selection&#8230;<\/p>\n","protected":false},"author":9,"featured_media":10001,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[1359,1360,1361,1362,1363,1364,1365,1366,28,442,1367,1368,1369,1370,1371,1372,1373,1374,1375,1376,1377,1378,1379,1380,1381,1382,1383,1384,1385,1386,1387,1388,1389,1390,1391,113,1392,1393,132,524,1394,1395,1396,1397,1398,1059,1399,1400,1401,194,1402,1403,1404,1405,1406,1407,1408,1409,1410,1411,1412,1413,1414,1195,1415,1416,1417,1418,1419,1420,1421,988,1422,646,1423,987,1424,1425,1426,1427,1428,1429,1430,1431,1432,1433,1434,1435,1436,1437,1453,1438,1439,1440,1441,1442,359,362,1443,1444,1445,370,372,1446,1447,1448,1449,1450,1451,1452],"class_list":["post-10814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-production","tag-abdul","tag-abecassis","tag-abel","tag-akkash","tag-al-jibaii","tag-alan","tag-alavidze","tag-aliona","tag-andrea-en","tag-anna","tag-anouar","tag-armen","tag-arpad","tag-arriba","tag-aurianne","tag-beatrice","tag-bela","tag-bergamin","tag-biltgen","tag-busch","tag-carlo","tag-celaj","tag-chiara","tag-chlaki","tag-christov","tag-chykanas","tag-cohen","tag-coscaro","tag-daniele","tag-danielle","tag-dede","tag-dibra","tag-dino","tag-dominik","tag-dosko","tag-dramatik-en","tag-eli","tag-emilie","tag-eurodram-en","tag-eva","tag-evron","tag-gala","tag-gilad","tag-giya","tag-guasconi","tag-harris","tag-hayastantsi","tag-hutchison","tag-ilya","tag-international-en","tag-ivaniushanka","tag-jose","tag-karaivanova","tag-katya","tag-keiran","tag-klepica","tag-krasniqi","tag-laha","tag-leconte","tag-levy","tag-ligia","tag-liokha","tag-lirak","tag-literatur","tag-lopez","tag-luis","tag-lynn","tag-maksim","tag-marco","tag-maria","tag-martinez","tag-mehdi","tag-mendes","tag-michel","tag-miroslav","tag-moradpour","tag-moughith","tag-neves","tag-omar","tag-pass","tag-pesut","tag-pinter","tag-raoul","tag-rapti","tag-ridvan","tag-sabina","tag-schilling","tag-sergio","tag-sildav","tag-simonot","tag-sljivar","tag-soares","tag-sotiropoulou","tag-stefano","tag-stefanova","tag-tanja","tag-theater-en","tag-theatre-en","tag-theoni","tag-timor","tag-timpano","tag-translation-en","tag-translator-en","tag-uzriutova","tag-vassiliki","tag-vedrana","tag-vieira","tag-vila","tag-vily","tag-zabezsinszkij"],"acf":[],"_links":{"self":[{"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/posts\/10814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/comments?post=10814"}],"version-history":[{"count":5,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/posts\/10814\/revisions"}],"predecessor-version":[{"id":10820,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/posts\/10814\/revisions\/10820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/media\/10001"}],"wp:attachment":[{"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/media?parent=10814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/categories?post=10814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/tags?post=10814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}