{"id":13427,"date":"2024-09-11T19:45:15","date_gmt":"2024-09-11T17:45:15","guid":{"rendered":"https:\/\/henningbochert.de\/en\/?p=13427"},"modified":"2024-09-12T18:29:42","modified_gmt":"2024-09-12T16:29:42","slug":"new-czech-theatre-festival-the-gleanings-2024-with-tomas-dianiska","status":"publish","type":"post","link":"https:\/\/henningbochert.de\/en\/2024\/09\/new-czech-theatre-festival-the-gleanings-2024-with-tomas-dianiska\/","title":{"rendered":"New Czech Theatre Festival: The Gleanings 2024 with Tom\u00e1\u0161 Diani\u0161ka"},"content":{"rendered":"\n<p><strong><em>Die perverse Margare<\/em>t<\/strong>: Reading and discussion with Tom\u00e1\u0161 Diani\u0161ka<\/p>\n\n\n\n<p><strong>11.10.2024, 8:00 pm, Theater unterm Dach<\/strong><\/p>\n\n\n\n<p>Admission is free, but please reserve tickets <a href=\"https:\/\/theateruntermdach-berlin.de\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">here<\/a>.<\/p>\n\n\n\n<p><strong><em>Die perverse Mar<\/em>garet<\/strong> (orig. <strong>Zvrhl\u00e1 Margaret<\/strong>)<\/p>\n\n\n\n<p>Translated from the Czech into German by Barbora Schnelle.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/perverse-margaret-studio-rubin-1024x575-1.jpg\" alt=\"\" class=\"wp-image-13428\" srcset=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/perverse-margaret-studio-rubin-1024x575-1.jpg 1024w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/perverse-margaret-studio-rubin-1024x575-1-300x168.jpg 300w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2024\/09\/perverse-margaret-studio-rubin-1024x575-1-768x431.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Lenka Krobotov\u00e1, Tom\u00e1\u0161 Kobr and V\u00e1clav Neu\u017eil in the world premiere at A studio R\u00fabin, directed by: Anna Petr\u017eelkov\u00e1 | Photo: A studio R\u00fabin<\/em><\/figcaption><\/figure>\n\n\n\n<p>In the 1950s, neurophysiologist John C. Lilly was convinced that dolphins had giant brains and could do more than just play ball. His assistant Margaret Howe is tasked with making the animals talk \u2013 and even the secret services are interested in their research.<br>The story of Margaret Howe, John C. Lilly and Peter the dolphin is the story of a real experiment funded by NASA in the wild 1960s. It&#8217;s a story about scientific passion and the ignorance and neglect with which other living beings are manipulated and mistreated by humans in the name of progress. Once again, Diani\u0161ka proves to be a master of combining serious issues with comedy.<\/p>\n\n\n\n<p>Reading directed by: <strong>Daniel Brunet<\/strong><\/p>\n\n\n\n<p>Performers: TBA<\/p>\n\n\n\n<p>The reading will be followed by a talk with Tom\u00e1\u0161 Diani\u0161ka.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"686\" src=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/11\/aussscnitt_tomas-dianiska_foto_david-turecky.png\" alt=\"Portrait photo of Tom\u00e1\u0161 Diani\u0161ka\" class=\"wp-image-13244\" srcset=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/11\/aussscnitt_tomas-dianiska_foto_david-turecky.png 440w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/11\/aussscnitt_tomas-dianiska_foto_david-turecky-192x300.png 192w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><figcaption class=\"wp-element-caption\"><em>Tom\u00e1\u0161 Diani\u0161ka <\/em>| <em>Photo: David Tureck\u00fd<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Tom\u00e1\u0161 Diani\u0161ka<\/strong> (*1984) studied acting at the Theater Faculty of the Academy of Performing Arts in Prague and then joined the ensemble of the F. X. \u0160alda Theater in Liberec, where he acted in more than 30 roles. He is the main author and actor of the F. X. Kalba Theater, which was originally founded as a \u201cpunk offshoot\u201d of the F. X. \u0160alda Theater, but later became independent and merged with the Palmovka Theater. As an author, he participated in the productions <em>Zvrhl\u00e1 Margaret <\/em>(<em>Margaret<\/em> <em>the<\/em> <em>Pervert<\/em>) and <em>House of Love 2: N\u00e1vrat hezk\u00fdch hoch\u016f <\/em>(<em>House of Love 2: Return of the Beautiful Boys<\/em>) at the A Studio Rub\u00edn. For the F. X. \u0160alda Theater in Liberec, he wrote <em>Googling and Fucking<\/em>, <em>Mickey Mouse je mrtv\u00fd <\/em>(<em>Mickey Mouse is Dead<\/em>), <em>LSDown<\/em>, <em>Logo<\/em>, <em>Diani\u0161ka je B\u016fh <\/em>(<em>Diani\u0161ka is God<\/em>) and <em>Atomov\u00e1 ko\u010di\u010dka <\/em>(<em>Atomic Cat<\/em>).<\/p>\n\n\n\n<p>He has been a member of the Divadlo pod Palmovkou acting ensemble since September 2014. He has performed several plays at the PALM OFF studio stage: <em>1000 v\u011bc\u00ed, co m\u011b serou <\/em>(<em>1000 Things I Think Suck<\/em>; a theatre adaptation of a blog of the same name), <em>Ml\u010den\u00ed bob\u0159\u00edk\u016f <\/em>(<em>Ml\u010den\u00ed bob\u0159\u00edk\u016f<\/em>), <em>Jak sbalit \u017eenu 2.0. The Silence of the Beavers<\/em>), <em>Jak sbalit \u017eenu 2.0 (How to Hook Up with a Woman 2.0<\/em>, a theatrical adaptation of the book of the same name by T. Bar\u00e1nek), <em>Pus\u0165te Donnu k maturit\u011b! <\/em>(<em>Let Donna Graduate!<\/em>), <em>Posledn\u00ed d\u016fvod, pro\u010d se nezab\u00edt <\/em>(<em>The Last Reason Not to Kill Yourself<\/em>; a theatre adaptation of a blog of the same name) and <em>Bezruk\u00fd Frant\u00edk <\/em>(<em>Frantic Without Arms<\/em>, written with I. Orozovich; transferred to the main stage of the Divadlo pod Palmovkou due to great audience interest), <em>294 state\u010dn\u00fdch <\/em>(<em>294 Braves<\/em> <em>Ones<\/em>) and <em>Encyklopedie ak\u010dn\u00edho filmu <\/em>(<em>Encyclopedia of Action Film<\/em>), both created for the main stage. Tom\u00e1\u0161 Diani\u0161ka also acts in all of these productions and directs many of them.<\/p>\n\n\n\n<p>In addition to his home theatre Divadlo pod Palmovkou, Tom\u00e1\u0161 Diani\u0161ka works as an author and actor with several Prague theaters, including MeetFactory, Divadlo LET\u00cd, A Studio Rub\u00edn, Masopust Theater Group, Chemick\u00e9 divadlo (Chemical Theatre), Divadlo X10 and others. He has worked as a director at the Chamber Theatre Ar\u00e9na Ostrava (V. Klim\u00e1\u010dek: <em>Comics<\/em>) and at the Petr Bezru\u010d Theater in Ostrava, where he staged his plays <em>Spottschau<\/em> and <em>\u0160pinarka<\/em>.<\/p>\n\n\n\n<p>According to his own description, Diani\u0161ka writes pop pieces that take a satirical look at well-known cultural phenomena. In his original and eclectic style, he mixes different genres, including documentary material, dime novels, westerns and comic book heroes. He has received a number of prestigious awards for his plays. His production of his own play <em>Transky, body, vte\u0159iny <\/em>(<em>Blood, Sweat and Queers<\/em>) at the Petr Bezru\u010d Theater in Ostrava was named best production of the year and best Czech play of the year at the 2019 Czech Theatre Critics&#8217; Awards. His most recent play, <em>294 Brave Ones<\/em>, was named best play of the year at the 2020 Theatre Critics&#8217; Awards.<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-blue-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading has-text-align-center has-black-color has-turquise-background-color has-text-color has-background has-link-color wp-elements-379dedb13d509b9600823f763b93017d\">Workshop &#8211; Please Register at &nbsp;<a href=\"mailto:werkstatt@drama-panorama.com\">werkstatt@drama-panorama.com<\/a><\/h3>\n\n\n\n<p class=\"has-text-align-center has-turquise-background-color has-background\"><strong>09.10.2024 from 2:00-5:00 pm<\/strong> at Theater unterm Dach in Berlin<\/p>\n\n\n\n<p class=\"has-text-align-center has-turquise-background-color has-background\">During the three-hour workshop, translators Barbora Schnelle and Henning Bochert will examine their translation process with this play, their collaboration as native speakers of two different languages and their translation from Czech.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\">More details (in German) here.<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Produced by Drama Panorama: Forum for Translation and Theater e. V. in cooperation with Theater unterm Dach Berlin. <\/em><br><em>Supported by the German-Czech Future Fund and the Berlin Senate Chancellery.<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"463\" src=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2021\/03\/dp_Logo_2020_small-1024x463.jpg\" alt=\"\" class=\"wp-image-11340\" srcset=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2021\/03\/dp_Logo_2020_small-1024x463.jpg 1024w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2021\/03\/dp_Logo_2020_small-300x136.jpg 300w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2021\/03\/dp_Logo_2020_small-768x348.jpg 768w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2021\/03\/dp_Logo_2020_small.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/11\/tud-kreis-web_kl-2-1.png\" alt=\"\" class=\"wp-image-13251\"\/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"810\" src=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/dtzf_grundlogo_de-1024x810-1.png\" alt=\"\" class=\"wp-image-12953\" srcset=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/dtzf_grundlogo_de-1024x810-1.png 1024w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/dtzf_grundlogo_de-1024x810-1-300x237.png 300w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/dtzf_grundlogo_de-1024x810-1-768x608.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"171\" src=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/b_rbm_logo_de_h_pw_rgb-1024x171.png\" alt=\"\" class=\"wp-image-13104\" srcset=\"https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/b_rbm_logo_de_h_pw_rgb-1024x171.png 1024w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/b_rbm_logo_de_h_pw_rgb-300x50.png 300w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/b_rbm_logo_de_h_pw_rgb-768x128.png 768w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/b_rbm_logo_de_h_pw_rgb-1536x256.png 1536w, https:\/\/henningbochert.de\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/b_rbm_logo_de_h_pw_rgb-2048x342.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Die perverse Margaret: Reading and discussion with Tom\u00e1\u0161 Diani\u0161ka<\/p>\n","protected":false},"author":9,"featured_media":13428,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,8],"tags":[63,472,495,1131,2145,141,298,827],"class_list":["post-13427","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-production","category-translation","tag-bochert-en","tag-brunet","tag-czech","tag-dach","tag-dianiska","tag-festival-en","tag-reading-en","tag-schnelle"],"acf":[],"_links":{"self":[{"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/posts\/13427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/comments?post=13427"}],"version-history":[{"count":3,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/posts\/13427\/revisions"}],"predecessor-version":[{"id":13435,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/posts\/13427\/revisions\/13435"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/media\/13428"}],"wp:attachment":[{"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/media?parent=13427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/categories?post=13427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/henningbochert.de\/en\/wp-json\/wp\/v2\/tags?post=13427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}