
A trailer for Die Maschine in mir (Version 1.0) at the Burgtheater is already available here.
The Fence, this “strange animal”, as its founder Jonathan Meth calls it, is a circle of professional friends all over the world, a club, really, that operates on a recommendation basis. Its focus lies on the work of playwriting, of developing plays, working with directors and dramaturgs.
During a trip across the United States in September 2018, I had the opportunity to get to know New Dramatists, a New York institution for playwrights. The artistic director Emily Morse devoted her time to me quite generously to tell me about the building and its history as well as about the structure of her […]
The new edition 1/2018 of the magazine of the Association of German language Translators of literary and scientific works (Verbands deutschsprachiger Übersetzer literarischer und wissenschaftlicher Werke e. V.; VdÜ) contains an article of mine briefly presenting various areas of language mediation in theatre and the work of Drama Panorama: Forum für Übersetzung und Theater.
Eurodram – European network for drama in translation 2018 Honours – Selection of original texts Eurodram, the European network for drama in translation, is delighted to announce its 2018 selection of plays recommended for translation. These have been chosen by 282 members of 27 language committees, out of the 746 original plays received in 2017. […]
VTHEA demands kill fees
In an open letter to the theatres, the German playwrights association VTheA e. V., founded in October at the Grips-Theater in Berlin, demands kill fees for all shows that were cancelled this year due to the restrictions to control the coronavirus. The restrictions imposed to control the coronavirus lead to loss of income for theatre […]